![]() And you get to see some cool behind-the-scenes footage of Deakins in action. The first interview is from ARRI, specifically about 1917 and the Arri Mini LF of which Deakins got three prototypes “to play with” during the recording of the movie.Īmongst other things, Deakins talks about how the immersive camera movements in the film wouldn’t have been possible without the Arri Mini LF. The British-born Deakins may someday get back to those roots, but his latest is anything but a stripped-down kitchen sink drama. Roger Deakins is considered to be an auteur in the Blade Runner 2049 mainly because his field of. So I started browsing for info and stumbled upon a few very interesting interviews with Mr. The principal photography was mainly done in Budapest, Hungary. His work is always of extremely high standards, and the way he captures images and communicates with lights, shadows, and effects is simply extraordinary.Īnd how he can adapt to vastly different genres and still maintain that high-level quality is astounding there sure is a long way from Fargo to Sicario to Jarhead to Blade Runner 2049 to 1917 in terms of cinematic aesthetics.Īfter winning his second Oscar for his work on the movie 1917 (the first one was for Blade Runner 2049), I became interested in how he could pull off that one-shot feel in the movie. I’ve always been a huge fan of cinematographer Roger Deakins. After the clips, Deakins opened the discussion up to audience questions and addressed everything from shooting Blade Runner 2049’s climactic action sequence to delivering the film in a variety of formats (IMAX, 3D, HDR, etc.). PLEASE READ THE FULL DISCLOSURE FOR MORE INFO. "I" IN THIS CASE MEANS THE OWNER OF FILMDAFT.COM. THIS POST MAY CONTAIN AFFILIATE LINKS, MEANING, AT NO ADDITIONAL COST TO YOU, I EARN FROM QUALIFYING PURCHASES. If you didnt know, Roger Deakins did not serve as the director of photography on Denis Villeneuve s upcoming sci-fi epic adaptation of Dune, despite their. Scott who had partnered with cinematographer Jordan Cronenweth, ASC and production designer Lawrence G. According to Deakins, what informed set designer Dennis Gassner’s vision most was when director Denis Villeneuve said he wanted it to feel brutalist, that severe. DISCLOSURE: AS AN AMAZON ASSOCIATE I EARN FROM QUALIFYING PURCHASES. In an interview for Variety, Blade Runner 2049 ’s cinematographer Roger Deakins explained that A lot of the Brutalist architecture in London became the key, really. ![]()
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